The design consists of four main elements; the crematory, a two storey plinth that sits on top of an existing building; a spiral ramp that leads to the main space of remembrance and creates an atmosphere of procession; the atrium space which consists of a glass-mirrored floor to reflect the sky and the cloud of urns and therefore remove the ground. This places the visitor in the centre of a space with no horizon; the frame and the movable urns which define and constantly change the volume, light and atmosphere of the space.
By calling out the name of the decedent, the urn will move towards the visitor; the other urns adapt their positions in order to make the way free for the called urn. Though this, not only single urns but entire family trees or other relationships like school classes etc, can be called at the same time to move towards the visitor. This creates a dynamic that is communicated towards the city.
The urn itself consists out of a container for the ash, a space for memorabilia and a light that can be edited and reprogrammed by the visitor. It is fabricated out of light-weight translucent composite materials and nylon for all mechanical parts. It is connected over three points to the frame and moves on rails through induction. Each urn moves according to a set of rules, therefore the entity of urns develops complex motion.